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Simon Vouet Magdalene 1614
Oil on panel,
63x49cmPalazzo
del Quirinale,
Rome
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Simon Vouet St Catherine 1614Oil on panel
63x49cm Palazzo
del Quirinale, Rome
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Simon Vouet The Fortuneteller 1617Oil on canvas
95x135cmGalleria
Nazionale d'Arte
Antica, Rome
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Simon Vouet Virgin and Child Oil on canvas
Musee des
Beaux-Arts, Lyon
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Simon Vouet The Last Supper 1615Oil on canvas
Palazzo Apostolico
Loreto
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Simon Vouet Crucifixion qwr Oil on canvas
Musee des
Beaux-Arts, Lyon
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Simon Vouet St Jerome and the Angel 1620s
Oil on canvas,
144,8 x 179,8 cm
National Gallery
of Art, Washington
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Simon Vouet St Mary Magdalene 1623Oil on canvas
241 x 171 cm
Galleria Nazionale
d'Arte Antica, Rome
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Simon Vouet Allegory of Peace 1627 Oil on canvas
350 x 250 cm
Galleria Nazionale
d'Arte Antica,Rome
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Simon Vouet Father Time Overcome by Love, Hope and Beauty 1627
Oil on canvas
107 x 142 cm
Museo del
Prado, Madrid
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Simon Vouet Diana 1637
Oil on canvas
102 x 141 cm
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Simon Vouet Toilet of Venus 1628Oil on canvas
183,8 x 153 cm
Cincinnati Art
Museum,Cincinnati
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Simon Vouet Parnassus or Apollo and the Muses 1640
Oil on panel,
88 x 221,5 cm
Museum of Fine
Arts, Budapest
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Simon Vouet Parnassus or Apollo and the Muses
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Simon Vouet Parnassus or Apollo and the Muses
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Simon Vouet Saturn, Conquered by Amor, Venus and Hope 1645-46
Oil on canvas,
187n x 142 cm
Musee du Berry
Bourges
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Simon Vouet Allegory of Wealth (mk05) Canvas,67 x 49''(170 x 124 cm)Coll ection of Luis XIII
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Simon Vouet The Toilet of Venus (mk08) c.1628-1639
Oil on canvas
183.8x153.cm
Cincinnati ,
Cincinnati Art Museum
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Simon Vouet Saturn,conquered by Amor (mk08) c.1645/46
Oil on canvas,
187x142cm
Bourges,Musee du Berry
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Simon Vouet Allegorical Portrait of Anne d'Autriche mk65
Oil on canvas
79 1/2x68"
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Simon Vouet
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b. 1590, Paris, d. 1649, Paris.French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour.
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